Utgivning
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Architecture, Critique, Ideology
Sven-Olov Wallenstein -
Sokrates och möjligheten av en politisk konst
Charlotta Weigelt -
Ignorance
Gavin Morrison and Sigrid Sandström (eds.) -
Kontemporalism
Dan Karlholm -
Hans-Georg Gadamer och hermeneutikens aktualitet
Anders Burman (red.) -
Time and Form
Marcia Sá Cavalcante Schuback, Luiz Carlos Pereira (eds.) -
Avprofessionaliseringstendenser
Jesko Fezer -
Poros
Lars Norén -
Tysk idealism
Anders Burman, Rebecka Lettevall (red.) -
Tapirskrift
Rasmus Fleischer -
Being With the Without
Marcia Sá Cavalcante Schuback, Jean-Luc Nancy (eds.) -
Om Ulla Wiggen
Peter Cornell, Frans Josef Petersson -
Vad är ett museum?
Dan Karlholm, Allan Kaprow, Robert Smithson -
Share This Book
Ramia Mazé, Lisa Olausson, Matilda Plöjel, Johan Redström, Christina Zetterlund -
Om Eva Hesse
Mara Lee -
The Architectural Competition
Magnus Rönn, Reza Kazemian, Jonas E. Andersson (Eds.) -
Om Lee Lozano
Annika von Hausswolff -
Nordic Fashion Studies
Peter McNeil, Louise Wallenberg (eds.) -
Dialogue
Mary Kelly, Cecilia Widenheim -
Proust – Benjamin
Sara Danius -
Nihilism, Art, Technology
Sven-Olov Wallenstein -
Magritte – Foucault. Om orden och tingen
Lars O Ericsson -
Konsten att handla – konsten att tänka
Ulrika Björk, Anders Burman (red.) -
Second Nature
Rolf Hughes, Jenny Sundén (eds.) -
Edmund Husserl
Sven-Olov Wallenstein (red.) -
En gång talade man om Staden
Bosse Bergman -
Arkitekttävlingen som föreställning
Stina Hagelqvist -
Lina Selander: The Space of Memory
Lina Selander, Mara Lee, Trond Lundemo, Frans-Josef Petersson, Sinziana Ravini, Cecilia Grönberg, Kim West, Fredrik Ehlin -
Den Obönhörliga/The Inexorable
Ulla West -
Svar på frågan: Vad var det postmoderna?
Sven Olov Wallenstein (red.) -
Måleriets rum
Håkan Nilsson -
1930|1931
Helena Mattsson, Sven-Olov Wallenstein -
The Visible and the Invisible
Gertrud Olsson -
Konsten att gunga
Monica Sand -
02.AKAD: The Silences of Mies
Sven-Olov Wallenstein -
Påståenden om framtiden
Jesper Meijling -
Deleuze och mångfaldens veck
Helena Mattsson, Sven-Olov Wallenstein (red.) -
Occupying Time
Ramia Mazé -
Daylight Influence on Colour Design
Maud Hårleman -
Arkitekturtävlingar: Erfarenheter från Finland
Reza Kazermian, Magnus Rönn, Charlotte Svensson -
Form & Formlessness
Cheryl Akner-Koler -
Berg-och-dalbanan: Jakten på den heliga G-kraften
Helena Csarmann -
Structuring Fashion
Daniel Koch -
Behind Straight Curtains
Katarina Bonnevier -
Att göra skillnad
Catharina Gabrielsson -
Essays, Lectures
Sven-Olov Wallenstein -
Utforskande arkitektur
Sten Gromark, Fredrik Nilsson (red.) -
Losing the Plot
Malin Zimm -
01.AKAD
Katja Grillner, Per Glembrandt, Sven-Olov Wallenstein (eds.)
Occupying Time
Design, Technology, and the Form of Interaction
Ramia Mazé
ISBN 97891976644172007-12-11
Design
As technology pervades our everyday life and material culture, new possibilities and problematics are raised for design. Attention in contemporary design discourse is shifting ‘beyond the object’, to the qualities of processes and experiences. The boxes and screens typically the ‘object’ of interaction and interface design are miniaturizing, even disappearing, as computation is integrated into familiar materials and ordinary objects. This opens possibilities – for example, as computer and materials science converge with fashion and architecture in smart textiles and intelligent environments – even as it turns us back, in new ways, to traditional design disciplines and practices.
In this context, design is not only about the spatial or physical form of objects, but the form of interactions that take place – and occupy time – in people’s relations with and through computational and interactive objects. As argued in this thesis, a central, and particular, concern of interaction design must therefore be the ‘temporal form’ of such objects and the ‘form of interaction’ as they are used over time. Furthermore, increasingly pervasive technology means that the temporality of form and interaction is implicated in more widespread changes to the material conditions of design and of society. Challenging conventions – of ‘formalism’ and ‘functionalism’, ‘good’ and ‘total’ design– temporal concerns and implications require new ways of thinking about and working with the materiality, users, and effects of design.
