Utgivning
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Architecture, Critique, Ideology
Sven-Olov Wallenstein -
Sokrates och möjligheten av en politisk konst
Charlotta Weigelt -
Ignorance
Gavin Morrison and Sigrid Sandström (eds.) -
Kontemporalism
Dan Karlholm -
Hans-Georg Gadamer och hermeneutikens aktualitet
Anders Burman (red.) -
Time and Form
Marcia Sá Cavalcante Schuback, Luiz Carlos Pereira (eds.) -
Avprofessionaliseringstendenser
Jesko Fezer -
Poros
Lars Norén -
Tysk idealism
Anders Burman, Rebecka Lettevall (red.) -
Tapirskrift
Rasmus Fleischer -
Being With the Without
Marcia Sá Cavalcante Schuback, Jean-Luc Nancy (eds.) -
Om Ulla Wiggen
Peter Cornell, Frans Josef Petersson -
Vad är ett museum?
Dan Karlholm, Allan Kaprow, Robert Smithson -
Share This Book
Ramia Mazé, Lisa Olausson, Matilda Plöjel, Johan Redström, Christina Zetterlund -
Om Eva Hesse
Mara Lee -
The Architectural Competition
Magnus Rönn, Reza Kazemian, Jonas E. Andersson (Eds.) -
Om Lee Lozano
Annika von Hausswolff -
Nordic Fashion Studies
Peter McNeil, Louise Wallenberg (eds.) -
Dialogue
Mary Kelly, Cecilia Widenheim -
Proust – Benjamin
Sara Danius -
Nihilism, Art, Technology
Sven-Olov Wallenstein -
Magritte – Foucault. Om orden och tingen
Lars O Ericsson -
Konsten att handla – konsten att tänka
Ulrika Björk, Anders Burman (red.) -
Second Nature
Rolf Hughes, Jenny Sundén (eds.) -
Edmund Husserl
Sven-Olov Wallenstein (red.) -
En gång talade man om Staden
Bosse Bergman -
Arkitekttävlingen som föreställning
Stina Hagelqvist -
Lina Selander: The Space of Memory
Lina Selander, Mara Lee, Trond Lundemo, Frans-Josef Petersson, Sinziana Ravini, Cecilia Grönberg, Kim West, Fredrik Ehlin -
Den Obönhörliga/The Inexorable
Ulla West -
Svar på frågan: Vad var det postmoderna?
Sven Olov Wallenstein (red.) -
Måleriets rum
Håkan Nilsson -
1930|1931
Helena Mattsson, Sven-Olov Wallenstein -
The Visible and the Invisible
Gertrud Olsson -
Konsten att gunga
Monica Sand -
02.AKAD: The Silences of Mies
Sven-Olov Wallenstein -
Påståenden om framtiden
Jesper Meijling -
Deleuze och mångfaldens veck
Helena Mattsson, Sven-Olov Wallenstein (red.) -
Occupying Time
Ramia Mazé -
Daylight Influence on Colour Design
Maud Hårleman -
Arkitekturtävlingar: Erfarenheter från Finland
Reza Kazermian, Magnus Rönn, Charlotte Svensson -
Form & Formlessness
Cheryl Akner-Koler -
Berg-och-dalbanan: Jakten på den heliga G-kraften
Helena Csarmann -
Structuring Fashion
Daniel Koch -
Behind Straight Curtains
Katarina Bonnevier -
Att göra skillnad
Catharina Gabrielsson -
Essays, Lectures
Sven-Olov Wallenstein -
Utforskande arkitektur
Sten Gromark, Fredrik Nilsson (red.) -
Losing the Plot
Malin Zimm -
01.AKAD
Katja Grillner, Per Glembrandt, Sven-Olov Wallenstein (eds.)
Essays, Lectures
Sven-Olov Wallenstein
ISBN 97891975901122007-02-01
Through analyses of Parmenides, Augustine, Heidegger, and Deleuze, the essays in the first part of this book approach a twofold understanding of certain limit situations in Western metaphysics. On the one hand, this limit must be seen as that which resists thinking, the unthought lodged inside thought, and in this sense these texts pursue a line of questioning that was opened up by the possibility of a dismantling or deconstruction of metaphysics. On the other hand, the limit must be understood as an internal structure, a “turn” or a “fold” that creates a variable interiority, that resonates as an event, and produces “images” of its own operations that call for an active response. This second understanding of the limit engages a conception of the subject as a process of “subjectification” and an active construction.
These two paths intersect and cross, and they form the horizon of contemporary thought. In the second part, the question of technology and nihilism in modern art and architecture is addressed. Drawing on Heidegger, Benjamin, and Foucault, philosophical reflections on the essence of technology are confronted with other versions of modernity at once very close and very distant—from the conceptions of technology that were worked out in artistic avant-gardes to the genealogy of modern individuality on the basis of processes of biopower. The space-time of subjectivity and thought, the field of desire, body, and experience, and our modes of discursive rationality, are no longer pre-given forms, but must be understood as results of a continual experimental construction in which art and philosophical thinking are both implicated.
